Showing posts with label DreamWorks. Show all posts
Showing posts with label DreamWorks. Show all posts

Thursday, March 6, 2025

Shrek 5 Looks Different, and that is okay... for now.

Once again, Shrek has got his big green ogre fingers choke-holding the attention of the internet, though this time it is for less positive, but still highly meme-able reasons. The announcement of the fifth movie in the Shrek series has come with a new artstyle and to say that fans are not happy is an understatement. The change in artstyle has sparked outcry with people even calling for fans to do the "Ugly Sonic Treatment" to try and get DreamWorks to change the artstyle back to the original. Despite the fact that people have absolutely learned the wrong lesson from Sonic, one must wonder why such a decision has caused such a reaction.

So, what does this new artstyle look like and why is it a noticeable departure? DreamWorks was releasing 3D animated movies in a time where Disney was still pretty dedicated to more traditional 2D animated films, though Pixar was definitely marking a shift for the company as their features were becoming more successful and popular than Disney's 2D features. Pixar's animation style has always been Disney adjacent, bright colours and very clean, DreamWorks on the other hand had a much darker and grungier style in their 3D features, right from the very beginning. Pixar gave their ants bright blue colours, while DreamWorks gave them more realistic reddish-browns, but the ultimate example of the difference between the two companies is, as you have probably guessed, Shrek.

Shrek was a fairy-tale movie that did not look like anything Disney was putting out. While the movie could be quite colourful, it wasn't the bright shiny colours of Pixar, and it was the usual kind of grungy and gross that DreamWorks was more known for. This style aided the writing of the movie, which was a satire on Disney's classic princess films and the Disney renaissance. However, things have been slowly changing over the years. While Disney and Pixar still do their bright and colourful films, there is a noticeable shift in styles. You'll notice that they aren't afraid to use more muted or mundane colours, or even darker colours. Onward was a fantasy movie set in a modern human-esque world, and the colour palette reflected that. Lightyear was entirely set on a grey-brown alien planet, Raya and the Last Dragon had moments in dull dry deserts. While Disney and Pixar can and do still make movies like Elemental or Wish, movies with a more colourful palette and artstyle, it's clear that they are branching out into something much different.

I think this is where the change in artstyle comes from, now that Disney is making the more realistic looking 3D movies, what is the movie franchise that satirized Disney going to do? It reminds me a lot of the Sega-Nintendo rivalry in the 90s where the Genesis was the hot new console with a 16-Bit processor and its slogan was "Genesis Does What Nintendon't", highlighting the difference between the Genesis and the 8-Bit Nintendo Entertainment System, with the Genesis releasing in America two years before the Super Nintendo did. When the Super Nintendo did come out, something had to change, Nintendo had their own 16-Bit console, just like how Disney has their own realistic 3D animation style, so Shrek is being given a more cartoony style, and not many people like it.

Personally, I do have to wonder why the change in artstyle now, especially when the previous movie in the Shrek franchise, Puss in Boots: The Last Wish, looked amazing with the more standard artstyle, even though it did noticeably take influence from other stylized animated films like Spider-Verse. It definitely feels like a rash decision made for attention rather than anything else. Of course the change in style is not completely without merit, but there was no warm-up to this change so it felt absolutely jarring. Of course, this would be fine if something improved, and the big problem is that, for the most part, it looks the same. It does not appear to be any kind of big leap forward in artstyle or technological evolution, it looks like a DreamWorks movie, just more cartoony. If there was a noticeable improvement in artstyle or technology, I don't think fans would be as upset with the change in artstyle, but as far as we can tell, it isn't.

I'm not going to sit here and say this artstyle change is bad or even unnecessary, but I can see why people think it is. There was no build-up to this change, the previous Puss in Boots movie looked phenomenal, there does not appear to be any improvement that coincides with the change, and it does feel like DreamWorks is trying to differentiate itself from Disney and Pixar without much thought. Personally, I am interested in seeing what this new artstyle brings, but I will be honest when I say that they are going to have to prove that this change was necessary. I don't think it looks bad at all, but if they can't justify this change in artstyle, than whether it looks good or not in irrelevant. DreamWorks, this is your chance to step up and prove us wrong, unlike what happened with Ruby Gillman.

Thursday, January 30, 2025

Hey, It's Almost Time for the Annie Awards!

Alright, by now you should know the drill, the Annie Awards are announced, I'm going to give my opinion on them, I'm gonna be wrong come awards night, nobody will actually care. To be fair, I do love sharing my predictions because I just have that gambling urge, and since I'm not putting any money on these predictions, I never technically lose. In all seriousness, this is my third year giving Annie Award predictions, and I enjoy doing this because, really for the same reason people enjoy making predictions about the Oscars or the Grammys or the Emmys or what-not, because we do genuinely love a lot of the things that are being nominated, and we have a deep love for cinema or music or animation, so we want to share that love in the ways we know and enjoy; through competition.

If you're new, my format for this is pretty easy to grasp, I introduce each category and give my thoughts on the nominees, which one I think will win, which one I'd like to see win, and which one I think is the least likely to get the award. I only cover the categories for features because, first off those are the ones I actually have opinions on, and secondly, if I did the other categories this blog would be a slog to read through. Of course, I also want to stress that I don't honestly care all that much, I've said it before and I'll say it again, awards don't typically mean that much. Last year, Across the Spider-Verse practically swept the ceremony, but Nimona is still the better movie, fight me. With that said, let's get to the good stuff.


BEST FEATURE

All in all, a fairly strong selection of nominees this year. I think the only nominee that I don't see winning is That Christmas, which to be fair I haven't seen. I also haven't seen Inside Out 2, but I think it has a decently strong case to walk away with this award, it has a better case than Kung Fu Panda 4 does anyway. I liked Kung Fu Panda 4, but let's be real, it's only winning this award as a fluke, especially compared to The Wild Robot. If I had to put money on any one movie winning this award, it would be The Wild Robot. Ultraman: Rising is also a decently strong one, but I just thought the movie was okay at best. If I had to really give them a ranking, Inside Out 2 would be in third place for most likely to win this award, Kung Fu Panda 4 would be fifth, That Christmas would be sixth, The Wild Robot would be first, Ultraman: Rising would be fourth, and that leaves second place to Wallace & Gromit: Vengeance Most Fowl. It wouldn't be unprecedented, Curse of the Were-Rabbit won in 2005, it also won the Best Animated Feature Film at the 78th Academy Awards, won nine other Annie Awards, won the Best British Film award at the British Academy Film Awards, like it just won a whole lot of awards, like Wallace & Gromit absolutely collect at award shows, A Grand Day Out and A Matter of Loaf and Death were the only Wallace & Gromit short films to not win the Best Animated Short Film Oscar, and A Grand Day Out was still beaten by a different Nick Park short film. I'm just saying, The Wild Robot is the safe bet, Wallace & Gromit is the easy next pick.


 BEST FEATURE - INDEPENDENT

So, as usual I didn't actually see a whole lot of these movies. I saw Flow, and that was it. To be fair, it won the Golden Globe for Best Animated Feature Film, and it won a whole bunch of other awards, so I think it's a fairly safe bet that Flow will win. If I had to pick my next pick, I've heard good things about Memoirs of a Snail, so I think I'll go with that. I haven't seen, or even really heard of, the other nominees, but I'm sure they're all worthy of the award.


BEST FX - FEATURE

Let's see, Kung Fu Panda 4? Not likely to win this award. Moana 2, even less likely. Frankly, I think the Annie Awards are just giving lip service to Disney sometimes. The Wild Robot is very much likely to take home this award, and I can also see Ultraman: Rising walking away with it. Though, I'm actually going out on a limb and going to say that the safe bet is Wallace & Gromit: Vengeance Most Fowl. Again, Wallace & Gromit just collect awards, but also when it comes to visual effects, Aardman usually gets a lot of good praise, so I'm going to pick Wallace & Gromit as my safe bet for this category.


BEST CHARACTER ANIMATION - FEATURE

Again, I think Wallace & Gromit has a good chance with this one, again it's because of Aardman. However, I think I'm gonna give the safe bet to The Wild Robot, but frankly I thin it could go to either movie really. I'm kind of impressed Kung Fu Panda 4 is getting a lot of nominations too, it just feels like pitting The Great Khali against The Big Show, like you know which is the better movie of the two immediately. Actually, I think a more apt comparison would be Giant Gonzalez against The Big Show, but that's getting into wrestling history and you're not here for that. Also, Inside Out 2 and Moana 2 are also nominated, I'll give Inside Out 2 third place again.


BEST CHARACTER ANIMATION - LIVE ACTION

Every year I talk about this one for a throw-away that I'm only kind of half-serious about. Still would have loved to live in a universe where I can factually say "Annie Award winning movie Cocaine Bear", but I digress. I think I'll give the safe bet to Kingdom of the Planet of the Apes.


BEST CHARACTER DESIGN - FEATURE

For once, Inside Out 2 is no longer the third most likely to win this award, it has graduated all the way up to second most likely to win this award. Yeah, I don't imagine that many movies are going to win against The Wild Robot, but to be fair, I don't think there really is a "Safe Bet" so to speak for this category, not because all the movies in this category are worthy of the award, but because this one really is down to a matter of taste. That Christmas is also nominated, shame I didn't check that one out. There is also Spellbound which... I can kind of see it walking away with this award, but it doesn't look like anything special. Finally, there is a movie called "Scarygirl" that is nominated and it looks... Well, this is for character design so maybe.


BEST DIRECTION - FEATURE

Chicken for Linda! is our first nominee and... yeah I haven't even heard of this movie, it won a couple of awards, only losing on three nominations, so that's impressive. I'll have to add this movie to my... growing list of movies to check out. Flow is also nominated, and I can see this one taking home the award, the direction of this movie was really good. That Christmas gets another nomination, was it really that good? Of course, I think The Wild Robot is going to be the safe bet, that and Wallace & Gromit as well. I'm not saying it's unlikely that Flow or even Chicken for Linda will get this award, but Chris Sanders and Nick Park are established names in the industry so it's going to be pretty big if they both lose to an Indie film, and frankly it would be kind of amazing.


BEST MUSIC - FEATURE

Hmm, I haven't seen that awful Lord of the Rings movie show up here yet, not complaining, just thought it was worth noting. There's always that one movie you think is going to get some nominations but is almost completely ignored (cough Wish cough). Anyway, we have another movie I haven't heard of here, Kensuke's Kingdom. Piece By Piece also gets its first nominee here, and... I dunno, this one kind of feels like cheating. That Christmas gets another nominee, there is also always that one movie that just gets a lot of nominations. Again, I think the safe pick is The Wild Robot, followed by Wallace & Gromit. I think this is the most thought I've ever put into this category so far.


BEST PRODUCTION DESIGN - FEATURE

Umm... Call me crazy, but I don't think there is really one "Safe Bet" here, I mean sure The Wild Robot is obvious, but it shares the bench with Inside Out 2, Ultraman: Rising and Wallace & Gromit, I think the only safe bet is that That Christmas won't be taking home the award.


BEST STORYBOARDING - FEAUTRE

Holy wow, Despicable Me 4 has a nominee? As does Saving Bikini Bottom? They must have really been desperate to fill this one. It says something when I genuinely think the safest bet here is That Christmas, because Moana 2 and Spellbound do not come off as Annie award winners to me, but I haven't seen either of them so what would I know? I just know that this award might be the least interesting to many viewers.


BEST VOICE ACTING - FEATURE

Mélinée Leclerc gets a nomination for her performance in Chicken for Linda, Maya Hawke gets a nod for Anxiety in Inside Out 2, The Wild Robot has two nominees this year, Lupita Nyong'o as Roz and Kit Connor as Brightbill, and Brian Tyree Henry has a nod for Megatron in Transformers One. Is this really the first nomination Transformers One has? Fascinating. Anyway, I think The Wild Robot is the safe bet again, but Inside Out 2 might be the next pick for me.


BEST WRITING - FEATURE

Wow, Flow got nominated for the category? That is hilarious, wouldn't it be absolutely funny is the movie with no dialogue got this award? And yes, I know that writing doesn't just mean dialogue, but it's heavily associated with dialogue at the very least. Other nominees include Inside Out 2, Kensuke's Kingdom and Memoirs of a Snail. I think I'll take a risk and suggest Memoirs of a Snail will win this award, but that is very much not the safe bet pick here.


BEST EDITORIAL - FEATURE

Oh this category, I never like predicting for this category. Let's see, we have Inside Out 2, Moana 2, The Wild Robot, Ultraman: Rising and Wallace & Gromit: Vengeance Most Fowl. Umm... The Wild Robot, maybe Wallace & Gromit, I don't want to come off as a fanboy championing a movie that has little chance, but like... Ultraman wasn't that good and I didn't watch Inside Out 2, and I have zero interest in anything Moana related, so I wouldn't have any opinions on that.


I think because 2024 was just kind of a "meh" year for animated cinema, the awards do kind of have to nominate the same handful of movies for each category this year. Like, I don't think Kung Fu Panda 4 was bad, but I don't think it will walk away with any awards this ceremony. Same with things like Ultraman, Moana 2, and seriously, how the Hell did Saving Bikini Bottom and Despicable Me 4 get a nomination? How did Transformers One only get one nomination? Okay, to be fair, Transformers One isn't exactly the kind of movie that award ceremonies would be lauding, but still, it could get thrown a bone for Storyboarding? The second worst SpongeBob movie and the most mediocre Illumination movie were more worthy of that award than Transformers One? Anyway, I don't expect The Wild Robot to be a total sweeper like Across the Spider-Verse was, but at the same time, I would not be surprised if it was.

Thursday, January 9, 2025

The BEST Animated Movies of 2024

So... I'm gonna be honest, 2024 sucked for animated movies. I have made my opinions clear on the matter, but let me state, now that the year is over, Two-Thousand-Twenty-Four Common Era absolutely SUCKED for animated movies, that isn't to say this was a totally bad year for animation entirely though, animation critics who, y'know actually do this for a living, or are just better than me, might be able to point you in directions I couldn't for things like TV animation, Anime, Indie Animation, Hell they might even be able to point you into directions to movies I haven't, couldn't, or wouldn't see. Basically what I'm saying is just because one area of the year wasn't great, doesn't mean the whole year was bad, and also please support other animation reviewers, we're a small community we need attention.

That all being said, this year wasn't a completely barren wasteland for movies either, it's just that... well, you're less likely to see them in theatres, I think. Most of the movies I heard of this year, were not theatrically released, The Tiger's Apprentice, the Megamind sequel, at least half of my worst list, all went directly to streaming in one form or another. This is a problem because it means accessibility to thee movies is very limited, so while really big movies might get a theatrical release, others that are still fairly notable might not. I'm not entirely convinced their isn't some other motive to putting movies directly on a streaming service, like other than a studio having full control over something, but it is kind of concerning.

Anyway, here are the movies that didn't completely suck.

5. Kung Fu Panda 4


I know not everybody has positive feelings for this movie, but I gotta be honest, I had a good time with it. I am always in awe about how well each Kung Fu Panda sequels feels like a natural step in the story being told, going from Po learning to become the Dragon Warrior and ending with Po having to pass on the title. Sure, it isn't as good as Kung Fu Panda 2 or 3, but those are immensely tough acts to follow, so the fact that it is good in general is good enough.

A lot of people also criticize the villain's backstory, saying that it makes no sense, I have wanted to talk about this for a while, but it does make a lot of sense that Po, a person who faced discrimination and prejudice in the Kung Fu circle due to his body, is facing a villain who also faced discrimination and prejudice in the Kung Fu circle against them due to their body, again, it's these links that make the Kung Fu Panda villains great.

No, the movie isn't perfect, I do miss the Furious Five as much as everyone else, the Mr. Beast cameo was kind of dumb, then again most YouTuber cameos in movies tend to age poorly, and I'm not entirely sure how I feel about Awkwafina as an actress, but over all, I had more positives with the movie than not, and James Hong and Bryan Cranston were easily the highlights of this movie, so that has to be worth something.


4. Piece By Piece


It might seem crazy what I'm about to say, but I never really got into Pharrell's music. It isn't all bad, but when you tend to gravitate more towards Alt. Rock and Metal, you do tend to miss out on some good stuff. That all being said, the idea of doing this documentary in Lego style intrigued me, not that animated documentaries haven't been done before, but doing it in Lego, why not?

I was ultimately more interested in how the story was told instead of what story was being told, but that isn't to say I don't think Pharrell is an interesting person, I'm just stating my biases as someone who isn't really into this kind of music. Still, the way a lot of the things were visualized, like the different beats that were produced and how they're stored, a lot of it really is complimented by the Lego visuals, and I don't think you could really do scenes like that in a traditional style. I think this is one of movies that does still make me hold onto hope that there are still unique animated movies out there, and I won't say this is one of the most unique or risky movies, but this was an idea, and not a bad one at that. I can't really say more about it, this was just a good movie.


3. The Wild Robot


I can hear it now, "The Wild Robot at Number Three? It should be Number One!" and yeah, I see why, this was a really beautifully done movie, easily one of DreamWorks' best in recent years. It's these kinds of movies that really do show how different DreamWorks is from studios like Disney or Illumination, and why they are my favourite of the big three.

That all being said, I am a little disappointed in this movie. I never read the book this movie was based on, though I might give it a shot in the future, my disappointment comes from one thing; from the initial trailer, I thought this movie was gonna be a really powerful movie told with zero dialogue, imagine DreamWorks taking a risk like that, making a movie with zero spoken dialogue with such a grand scale that their best movies have, that would be so cool. I'm not going to say that this movie failed to live up to my expectations in terms of quality, if anything, when I learned it was going to have dialogue I grew a bit worried, so the movie exceeded my expectations. Still, I think it would have been cool if this movie had no spoken dialogue.


2. Flow


Flow is the movie I thought I was going to get out of The Wild Robot, a truly unique and risky animated feature. Flow was such an interesting movie, there is zero spoken dialogue, not even subtitles, and yet you can still infer what the characters are thinking, feeling, in some cases even saying. I love moments in movies and cartoons where the imagery tells the story more than the dialogue does, how the body language and facial expressions speak about the characters thoughts more so than can be put into words. Flow is entirely that, it's just reading the animals' body language.

On top of that, this movie got really tense at points, there were several moments I thought this poor cat was gonna drown or get eaten by something, and it always kept me on edge, it was fantastic. I also have to applaud the fact that the team used the open-source Blender to render this movie, which really does prove you can do fantastic things with available tools. Now we just have to wait for the animated movie where each and every frame was hand drawn in Microsoft Paint.

So, if this is my choice for the most unique animated movie of the year, why isn't it number one? Well... Maybe I didn't actually want The Wild Robot to have zero dialogue, because I think this movie is more fascinating than it is entertaining, and don't get me wrong, I think it's a great movie, but in the same way I think Fight Club or Fear and Loathing in Las Vegas are great movies, where there is just something fascinating about them, that keeps them in my mind, but very rarely do I ever think about actually watching them that often. I would love to re-watch Flow with friends, but it might not be one I watch that often. What movie would I watch more often?


1. Transformers One


If you were to tell me that a Transformers movie would top my list of best animated movies any year, I'd be open to the possibility. Even though I'm not huge into Transformers, I have a fondness for the franchise, the original Michael Bay movie completely blew my mind when I was a kid, and I'm not completely shocked that Transformers is still a popular franchise, but at the same time I was not a huge fan of the original 1980s Transformers movie, even putting it on the list of the worst animated movies I reviewed. So this is still a little bit of a shock.

It's also shocking because, is this movie unique? Not particularly. Is it groundbreaking? I don't think so. Is it a risky movie? Not in the slightest. You know what this movie is though? This movie is damn good, and in 2024, I needed a Damn Good movie, I love when a movie is unique and takes a risk, but I don't think 2024 needed that, I think 2024 needed movies that were good before they were risky or groundbreaking. 2024 needed a Transformers One, because everything else before it... No, not all of it was bad, but very few of it was better than "Okay", I know a lot of people like Ultraman Rising, and it wasn't bad, but it just felt pretty standard. Transformers One was the first movie of the year that I watched as thought, "Yeah, that was pretty good". What does that say about this year as a whole...


If I had to give a theme to the movies on this list, I would probably say... Ambitious? Each movie is taking a fairly risky step in one way or another, DreamWorks' best movies are often pretty risky in one way or another, Flow and Piece by Piece are certainly unique movies that are begging to attain a cult following, honestly, even Transformers One, the notion of making an animated Transformers movie after the Michael Bay movies, with Michael Bay as a producer, frankly I respect the gall. Was this year completely bad? I don't think so, but I also thought negative about 2022 and now I'm willingly looking back on that with rose-tinted glasses, maybe 2025 will be a different year, one with better and more interesting movies to talk about. Well, let us leave 2024 behind us, and look forward to something better... 2030! Yes, I'm talking about more than animated movies here, let's just move on to the Honourable Mentions.

1. Ultrama: Rising - I mean, it was okay, kind of predictable, but kinda cool seeing Ultraman get a fairly big push in the west.
2. Rotten: Behind the Foodfight - This doesn't count, it's a live-action documentary about an animated movie, but it is worth the mention.
3. Sonic the Hedgehog 3 - This also doesn't fully count, but if it did, it would easily be number one.

Thursday, November 28, 2024

How to Train Your Dragon (2010) - An Unfortunate Victim of "Seinfeld is Unfunny"

So, you've probably heard something interesting about this movie. Actually, no, that's a bit misleading, it's not something about this movie specifically that is interesting, it's more something about a different movie that is also the same movie. How to Train Your Dragon is getting the "Live-Action Remake" treatment because... I have no clue why. Seriously, not only is this movie franchise not even twenty years old, but the last movie only came out roughly five years ago, then again Disney is giving Moana the same treatment even though similar can be said about that, really the whole Live-Action Remake trend is just absurd. However, let's pretend there are people who are interested in seeing the upcoming remake, and they want to know if the original is worth watching. So, let's strike while the iron is at a reasonably warm temperature, and let's look at How to Train Your Dragon.

The plot follows Hiccup, the young and not so incredible son of the Viking Stoick, chieftain of the village of Berk, which is frequently attacked by dragons. Hiccup is put to training in order to kill dragons, which is difficult because Hiccup is actually studying dragons, one particular dragon, a Night Fury named Toothless. I heard so much about this movie, I heard critics say it had such a different plot, that is avoided clichés, that is is such a heartbreaking tale, and all I have to say is, I'm sure it was in 2010. Look, the trope "Seinfeld is Unfunny" is about art and media that is hugely innovative and important to their genre, Seinfeld is a sitcom that most modern sitcoms take several cues and gags from, so someone who has grown up on sitcoms made after Seinfeld would go back to it and wonder why it was so innovative and popular. I feel like that is what is going on here for me, How to Train Your Dragon was unique and different for its time, but going back to it after movies like Encanto, Turning Red, Puss in Boots: The Last Wish, I see a lot of the influence of this movie in those. I shouldn't be to harsh on this movie for that, but the problem really is that for the first half or so of this movie, it is really standard. I think the reason it is so loved for not going in certain directions is because it made you believe that it was going to go in these directions, and so the first half is fairly standard. The problem is that, again, it's the "Seinfeld is Unfunny" trope, I imagine a lot of the people who worked on Puss in Boots: The Last Wish were decently influenced by this movie.

But okay, plot is not the saving grace of a movie, I mean I thought Klaus was horribly predictable but I still enjoyed it in the end, so let's talk about the characters. To be fair, the Klaus comparison is not ill-fitting, both movies have very visible character arcs where we can see how the characters move from point A to point B, Stoick gets praise for his character arc. I think my issue is that, these aren't very unique characters to begin with, Hiccup is your dorky protagonist, Astrid is your bad-ass female co-lead, Stoick is your gruff authority figure, like these aren't bad places to start for characters, there is a reason they are tropes, but they do kind of pigeonhole you into one or two arcs. It isn't that these characters are bad, and honestly it isn't even that they're generic that gets to me, it's the fact that the arcs are fairly predictable, like of course Hiccup is gonna end up taking charge of a team, and Stoick is gonna learn the error of his ways. Stoick and Hiccups relationship arc is wonderful, but compared to the later Encanto, it just kind of falls flat.

To be fair though, the animation is pretty solid, it's pretty standard DreamWorks animation, but I will say I absolutely love the fog, it really does make much of the environments look cold and almost lifeless, but for the most part it is pretty standard. To be absolutely fair though, there is one bit I absolutely loved in the movie, it's towards the end after the climax, and Hiccup is in bed and he sees that he lost a leg in the fight. His face and body language is perfect and then cutting to the shot of the floor, revealing his prosthetic was just a brilliant piece of storytelling, again, it is kind of standard, but when it is done well, it is done really well.

I'm actually kind of sad that I don't have better to say about this movie, it really isn't a bad movie, it's like Toy Story, on it's own it is a good movie, and a highly important one as well. I really can see how this movie influenced a lot of the animation landscape of the 2020s, especially in cinema. I really don't have much to say though, it's just an unfortunate victim of the "Seinfeld is Unfunny" trope. The plot is stuff I've seen, the characters are ones I've seen, and frankly I just think they've been done better. So uh... I guess that does mean I have no reason to want to see the live-action remake. Okay, you what, I'll extend an olive branch here, because I don't think I'll come back to this movie, but I can't say I don't recommend it on any level, again this movie is good at its core and it is influential in its own way, this movie became the start of one of DreamWorks' most notable franchises for a reason, so I do think it is worth seeing at least once, and hey, with the remake coming out, maybe more people will see it. At the very least, we can all agree, live-action remakes are unnecessary and bad!

Thursday, November 21, 2024

The Bizarre Case of Banned Animated Movies Around the World

Why do people care so much about media being banned? Well, the answer is quite obvious I think, it's because art is a universal form of communication, so when a book, movie, video game or anything is banned it is essentially saying that the ideas and thoughts of the work are not welcome in the area. Sometimes though, bans can be put in place for okay reasons, like say an episode of a cartoon being banned from televised airings because it has a scene that contains rapidly flashing lights that could cause seizures in epileptic viewers, or maybe a certain streaming service will ban a creator from their platform because they're spouting hateful nonsense and spreading harmful misinformation, or maybe a media company puts out a list of things that maybe shouldn't be played or aired for a couple days during a national tragedy. Whether or not these things really count as "bans" is, a different conversation entirely, but the point I do want to make is that sometimes things aren't banned or "Soft banned" just because the government wants total control over what their people think, some things do get pulled for less frustrating reasons. Some things also get pulled for completely stupid reasons.

So I thought, why not have some fun and talk about a bunch of animated movies that have some ban history to them. Why? Partially for educational purposes, I mean this is still film history after all, but also because I want to have a laugh at the stupid things and dumb reasons that most banned lists give us. This isn't going to be a top ten list, I'm mostly going to go through these movies in alphabetical order and whenever I can I will be providing links to articles about these film bans, I do have to be some kind of journalist here after all. So, with all of that said, welcome to the Bizarre Case of Banned Animated Movies!

(Author's note - *Denotes any movie where hard confirmation of the film actually being banned in any way is dubious at best)


Abomniable

Really? Abominable was banned? Yes, yes it was, in three countries no less, but... when I tell you the countries that banned it, you might notice something interesting about them. See, Abominable was banned in Vietnam, Malaysia and the Philippines, and if you even vaguely know your geography, you can tell that all three of those countries have have shorelines in the South China Sea, an area which has several islands that are currently in dispute. See, China has a policy called the "Nine-Dash Line" policy which basically lays claim to those islands, and possibly the sea itself as well? What does this have to do with Abominable? Well, there is a brief scene where a map is displayed, that shows this Nine-Dash Line. Because this is disputed territory and this can be seen as supporting China's claim over the area, the three countries have called for the scene to be edited out, or censored, however because it was refused to cut the scene, the movie was pulled from theatres.


An American Tail: The Mystery of the Night Monster*

Really, direct to video movies are being banned now? Well, not exactly, this is one of the movies that has a ban in the United States, and American bans tends to be either very regional or strictly over one form of viewing, for example, this movie. It was apparently banned from airing on Universal Kids, a Children's Television Channel that launched in 2005, and they gave no reason as to why they wouldn't air it. Some speculate it's because there is a character who might be a minor that has a crush on a character that is supposed to be middle aged, and the channel might have considered that inappropriate. Funny enough though, Freeform, an American basic cable channel, actually aired the movie in 2019 with a TV-PG rating, so make of all of that what you will.


Coonskin

Well, here's our first adult animated movie, a Ralph Bakshi film too. Ralph Bakshi has a history of controversial animations, with things like Fritz the Cat and even Mighty Mouse: The New Adventures. An archived article on The New York Times from 1975 (linked above) details one of the biggest controversies this film received, allegations of racism! The Congress for Racial Equality or CORE dubbed the movie as racist and campaigned to stop the movie's release, which led to the production company Paramount choosing to no longer distribute the movie. It should be stated that the article does mention that some black people were not on CORE's side about the movie, and many will comment on Bakshi's satire in the film. Coonskin is a movie that many better animation reviewers, analysts and historians could talk about for ages, so I'm gonna cut it off here. What I will say is, if you find a copy on Home Video in the wild, even under the alternate titles "Bustin' Out" or "Street Fight", maybe it's worth holding on to.


Demon Slayer: Kimetsu no Yaiba - To the Hashira Training

Of all the places to ban an Anime film, one of the last places I would expect would be The Bahamas, yes, Demon Slayer: Kimetsu no Yaiba - To the Hashira Training, was banned in, of all places, The Bahamas. Why? Nobody is really sure, some have said that it's because the movie isn't in English, which is a dumb reason considering that the movie can be dubbed. So yeah, the Bahamas Plays and Film Control Board just banned this movie for... as far as anyone can really tell no actual reason. See, this is the stupid stuff that people like to see in ban lists.


Demon Slayer: Kimetsu no Yaiba - To the Swordsmith Village

Well, here we have it, our first movie ban in the Middle East. I will not even begin to talk about the culture of the Middle East because I am very much ill-equipped to do so, but suffice to say we have a bunch of movie bans in the Middle East. To the Swordsmith Village was the second Demon Slayer movie, and it was banned in a couple Middle Eastern countries, including Saudi Arabia, Kuwait and the United Arab Emirates banned this movie because of a scene where the character Mitsuri Kanroji is taking a bath. Of course, the Middle East in general has a problem with nudity and sexuality, so even a scene that is apparently not explicit can be seen as controversial. The sad thing is, this isn't even the weirdest ban for Demon Slayer.


Fairytale

What the heck is this movie? Well, Fairytale is a 2022 experimental adult movie by Alexander Sokurov, it was submitted to the 2022 Cannes Film Festival, and was scheduled to be screened at the Moscow Karo.Art festival but was denied a screening license. So, the movie was denied screening in Russia, and why? Again, no real reason is given, but if I had to make a guess, the movie is about Stalin, Hitler, Mussolini and Churchill in the afterlife, so... make of that what you will.

I should specify here that I'm not linking to any sources in this case, predominately because the sources are Russian, and I don't want to send people to any pro-Russia propaganda sites. The necessity of proper and sourced journalism is only upstaged by the necessity of due diligence.


Fantasia*

Yes, Fantasia was also banned at one point, in Ireland of all places. Why? Well, there are speculations, Wikipedia mentions that Fantasia had to be cut to remove the introduction of the Rite of Spring section, and it sources the book "Irish Film Censorship: A Cultural Journey from Silent Cinema to Internet Pornography" by Kevin Rockett. Others speculate it was because of segments like The Sorcerer's Apprentice or The Night on Bald Mountain being too much for the predominately Catholic Irish, some even speculate it's because of the infamous black centaur which I'd say is a bit of a stretch, I mean if Golliwog is still a thing in Britain, y'know?


Lightyear

Just when I thought I've finished talking about Lightyear, but yeah, this movie was banned too, in fourteen different countries no less. Predominately banned in Middle Eastern countries, as well as a few east Asian countries, for a brief lesbian kiss displayed in the movie that Disney refused to cut. Lightyear is banned in the United Arab Emirates, Saudi Arabia, Egypt, Indonesia, Malaysia, Lebanon, Bahrain, Jordan, Kazakhstan, Kuwait, Oman, Qatar and Turkey for this, even though apparently Kazakhstan has no laws criminalizing homosexuality in film. Due to the ban in Kazakhstan, it was also banned in Kyrgyzstan because their movies are distributed by Kazakhstan. I know this isn't exactly a popular Pixar movie, but I don't think even its biggest critics would say it warrants a ban.


The Lion King II: Simba's Pride*


Okay, this one may not be true, but I'm going to include it in case anyone has any information that I can't find. Apparently in the early 2000s, The Lion King II was pulled from television rotations for the subject matter. The problem is that I can't find any sources to back this up, the only source Wikipedia provides is a DVD review that can only be viewed on the WayBack Machine, and I don't think it makes any reference to it being pulled from TV, so I'm gonna label this one as "Dubious". If anyone has any information that can confirm or deny this one, please leave a comment.


The Mad Doctor

This is one of our first Short Films to be on the list. I should have kept it to feature length movies, but there is some interesting history with some of these short films, most notably one of, if not the most infamous Mickey Mouse short. If you know your history, you would know that The Mad Doctor was banned entirely in the United Kingdom, many theatres in the United States also refused to show it. However, I think the hilarious part about this film ban is that, apparently, Nazi Germany also banned it. Wikipedia sources the book "Hollywood Flatlands: Animation, Critical Theory and the Avant-garde" by Esther Leslie, looks like there is a bit of reading in my future.


Merrie Melodies and Looney Tunes

Oh boy, strap in folks, this one is a lot to explain. With a franchise as massive and ever-present as the Looney Tunes, it makes sense that there would be some cartoons in this series that have been banned, most notably the "Censored Eleven". A series of shorts from 1931 to 1944 that were pulled due to racist depictions of African and Black American people. Three of the eleven shorts are in the public domain as of now, and no official release has been made, though one has been planned since 2010. Other banned shorts include "Inki and the Minah Bird", the 1969 short "Injun Trouble", and all Speedy Gonzales shorts, though those were only temporarily banned due to backlash from fans, which included Latin American citizens.


Minions: The Rise of Gru

No, I'm not talking about the teens banned from theatre screenings, I'm talking about the movie itself. We have another Middle Eastern ban here, this time solely in Lebanon, and frankly I don't see why. The article I linked to makes claims it's due to homosexuality and a character who is portrayed as an evil nun, but no official statement has been given. I find it odd that this was the movie that Lebanon alone banned, like really? An Illumination movie was banned? Illumination movies are barely worth watching, let alone banning.


Onward

Yep, Onward was banned too, and take a wild guess where and why. Kuwait, Oman, Qatar and Saudi Arabia have all banned the movie due to a minor lesbian character in the film. I want to give props to Disney for not cutting the character for these markets, but like... I remember the whole mess this movie spawned because the character was touted as "Disney's first openly gay character", and let's just say nobody bought it, I feel like banning this movie for this is just giving Disney what they wanted, an easy defense for anyone criticizing the character. "Who cares this character only appeared on screen for a minute and never appeared or was mentioned again? She is the reason this movie is banned in four countries, so we're clearly doing something right!"

I would be remiss if I did not share this article I found on Out about the timeline of Disney's 17 "First Gay Characters", which has some legitimate criticism of the character in question.


Persepolis

Probably the least shocking entry on this list... or the second least shocking, Persepolis was banned in, wait for it, Lebanon, at least initially. The movie, an adaptation of Marjane Satrapi's autobiographic comic, was banned during a political crisis apparently, and the movie is about Marjane's life during the 1979 Iranian Revolution. Lebanese authorities banned it out of fear of how it would effect the political situation there, however, due to some outcry the ban was reversed not too long after. Some claim that the ban was made more to please Iran than protecting Lebanon. If you have the opportunity, I definitely recommend reading the original book, I think it is one of the defining comic and graphic novels of its time.


Popeye the Sailor

Yep, a number of Popeye shorts were also banned, and for largely the same reasons as the Looney Tunes bans. The thing is that Popeye was largely used in Propaganda cartoons so, a lot of the racial stereotypes are a result of the War, this is not to excuse the shorts, this is to provide historical context. Other reasons the shorts were pulled include a couple with Native American stereotypes, and a short where Popeye actually murdered someone. A total of nine Popeye shorts are not available on HBO Max, but you may be able to find them online.


The Prince of Egypt

Yep, The Prince of Egypt is banned, in three countries too. To begin with, the movie is, ironically enough, banned in Egypt. The movie is, allegedly, viewed as revisionist history that distorts Egyptian history and shows bias against Arabic people, with one Egyptian director calling it "Poisoned Honey". The movie was also banned in Malaysia, with the Film Censorship Board chairman stating that they "Found it insensitive for religious and moral reasons". Malaysia has a majority Muslim population. The biggest surprise for me was that the movie is also banned in the Maldives. Islamic custom has a rule about portrayals of prophets, so the Supreme Council of Islamic Affairs took offense at the film's depiction of Moses. I gotta say, I never would have expected The Prince of Egypt to be banned more than once, and in only one Middle Eastern country too, that might be the most surprising thing to me.


Raggedy Ann and Raggedy Andy*

Here's another short film, and another one I can't find any confirmation on. No, we're not talking about the 1977 Musical Adventure, this is a 1941 short film by Fleischer Studios. Usually, what I do when I can't find a source over Google, I'll turn to Wikipedia and see what they source and look that up. In this case, they source the book "Raggedy Ann and Johnny Gruelle: A Bibliography of Published Works" by Patricia Hall, but I did some basic keyword searching and nothing came up, so take this one as another dubious claim, but if this story is true, it's actually one of the funnier stories here, so I'm gonna share it, under the caveat that this story may not actually be completely factual.

Apparently, this short film was suspended in its initial release because this short kind of has a different interpretation of Raggedy Ann and Andy's relationship. There is no polite way to put this, the short kind of depicts the two as being lovers instead of siblings, so one could easily see the short as incestuous. Again, I can't find any confirmation of this, but the story is kind of funny, so I'm sharing it anyway.


Red Hot Riding Hood*

Another short film ban, this time with an asterisk attached. Red Hot Riding Hood, the famous Tex Avery cartoon, was banned from televised broadcasting due to the Television Code, which was a set of ethical standards for television from 1952 until 1983. Again, I don't have any confirmation on this one, sources on Wikipedia are not links, and Google is just turning up a bunch of stuff about the original Little Red Riding Hood story, but I'm inclined to believe this one because, it just makes a lot of sense.


Sausage Party*

Another one to chalk up to the "Can't find confirmation but it's believable enough" category of "Dubious claims", but apparently the raunchy, controversial adult comedy Sausage Party is banned in Kuwait for indecency. Again, no confirmation here, but I can believe it.

I should also talk about the boycott some people had over the film for the terrible working conditions for the animators, but that isn't really a "ban" per se, maybe I'll do another blog where I talk about movies that have been boycotted.


Shrek 2

Yes, Shrek 2 was banned, and this time I have found receipts. Of all the countries to ban Shrek 2 of all movies, Israel was the ones to do it, temporarily. See, in the Hebrew dub of the movie, they make a joke at the expense of Israeli singer David Daor, and Israeli court said that the joke had to be removed. What was the joke? The joke was that David Daor is a high pitched singer, so use your imagination. Honestly, I'm just kind of amused that Israel banned Shrek 2, then I remember what Israel is doing and I'm less amused.


The Simpsons Movie

Hey, one of the least surprising entries on this list! So, why was The Simpsons Movie banned? Was it because of the plot about a government conspiracy? The irreverent satire? Bart's nude skateboarding misadventure? Shockingly no, it was banned allegedly for the colour palette. The Simpsons Movie was banned in Myanmar/Burma, because the country had a rebel group whose flag was prominently red and yellow, and the defining colour of The Simpsons is yellow, and there is a fair amount of red in the movie. This is another case of "There's a lot of political climate reasons involved that I am  nowhere near well-equipped enough to go into detail on" and also another case of "The reason is really ridiculous and silly", really they could have just listed any other reason and I'm sure everyone would have bought it, why did they have to single out the colour palette?


The Skeleton Dance*

Okay, this one is gonna be super quick and easy to talk about. In a March, 1931 New York Times Article, they reported that the 1929 Silly Symphony cartoon was banned in Denmark for being "Too Macabre". Unfortunately, the archived article link doesn't seem to work for me. Plus, it's a New York Times article, not a Danish news article.


South Park: Bigger, Longer & Uncut

Ladies, gentlemen and everyone outside the gender binary, the least shocking film ban on this list. Shockingly, the movie wasn't banned (Entirely) for the 399 uses of profanity, on screen visual of a giant talking clitoris, or the irreverent satire (Not being facetious with my wording there), it was banned in Iraq and Kuwait for its depiction of Saddam Hussein. In fact, the TV series itself is banned in Kuwait, which apparently led to the creation of their own show titled Block 13, I imagine it would be like any other extremist knock-off of any other show.

Apparently, as he was being held by US Marines, Saddam Hussein was actually forced to watch this movie. I don't know how legitimate that claim is, but if I were wanting to torture someone, making them watch a movie that makes a mocking depiction of them is probably something I would do,


Spider-Man: Across the Spider-Verse

Yep, Spider-Man: Across the Spider-Verse was banned too. Another film band that pretty much sweeps the Middle East. You've probably heard this story when it was new, but countries like the United Arab Emirates, Oman, Saudi Arabia, Qatar, Lebanon, Egypt, Kuwait and the like all pulled this movie from their theatres, most likely due to a "Protect Trans Kids" flag and some of the trans symbolism in the movie. Look, I don't even know where to go from here, so... Trans Lives Matter, Queer Lives Matter, Queerphobes Die Mad.


That Time I Got Reincarnated As a Slime: The Movie - Scarlet Bond*

Another potentially dubious claim, but there is some anecdotal evidence to back this one up. Apparently, Scarlet Bond is banned in, once again, Kuwait, primarily for the protagonist, Rimuru Tempest, being genderless. Wikipedia doesn't give us any sources, and I couldn't find anything to hard confirm this, however, Kuwait did ban the movie "Talk to Me" allegedly because of actor Zoe Terakes, a Non-Binary Transmasculine person. On top of that, Russia apparently banned a bunch if Isekai Anime, which does include That Time I Got Reincarnated As A Slime, so with all that information, I can believe that Kuwait banned a movie for having a genderless protagonist, but there's no official evidence to back up this claim, at least none that I have found, so it's still in the dubious zone.


Tom & Jerry

This is our last entry for short films on this list, but there have been quite a few cases where Tom and Jerry shorts have been pulled, and for different reasons.

The short "Heavenly Puss" is banned in the Middle East and Brazil. Brazil also banned the short "The Two Mousketeers", as did Morocco, which also banned the short "Tot Watchers". The shorts "Calypso Cat" and "Jerry, Jerry, Quite Contrary" are both banned in the Middle East. The shorts "Mouse Cleaning" and "Casanova Cat" were edited for American broadcasts. The short "The Mouse from H.U.N.G.E.R." is pulled from American broadcast due to concerns over flickering lights causing epileptic seizures. I would be remiss if I did not mention the infamous short "Blue Cat Clues" which has been pulled from American airings due to its content, and the first Tom and Jerry short "Puss Gets the Boots" faced heavy censorship for future airings.

There are more bans, pulled airings and censorship to Tom & Jerry shorts, including a case of legal disputes for an entire showrunner's run of shorts, but I'm gonna leave it here.


Toy Story 2

Okay, this one isn't a ban, but the story is kind of hilarious. Toy Story 2 had a scene cut from the film, which scene? One of the end credits bloopers. The blooper scene where Pete is talking about getting a role for two Barbie dolls was cut from the movie entirely after the #MeToo movement. Queerphobia, political unrest and sexual misconduct, this blog has been a barrel of laughs hasn't it? I find it kind of funny that they went out of their way to cut an end credits blooper scene, but considering that John Lasseter had some allegations thrown his way, I can't really say I blame them.


Turning Red*

Great, like we need another controversy for Turning Red. At the very least, this is another dubious claim, probably due to misinterpreting sources. The Wikipedia article on Films Banned in China claims that China refused to give this movie a classification due to the indecent content, and it links two sources. A Radii article that talks about the representation of Chinese people in the movie, and a Bustle article that says nothing about any bans or China at all.

There is another claim it's banned in Kuwait, but I couldn't find anything to hard confirm that, frankly I don't think this movie needs anymore controversies surrounding it.


Waltz with Bashir

Well this one is gonna be a fun one, Waltz with Bashir, the 2008 Israeli animated docudrama was banned in a few Arab countries, most notably Lebanon. To start with, Lebanon was boycotting Israeli products at the time (I can't imagine why), and secondly, the movie is about a man recounting his experience as a soldier in the 1982 Lebanon War and the Sabra and Shatila massacre.

That all being said, there are some people in Lebanon who praise the film, with activist Lokman Slim saying that he felt jealous about it.


Winnie-the-Pooh

Well, coincidentally, we've saved the funniest ban for last. You have definitely heard of this before, but just in case you haven't, Winnie the Pooh, the character, has been banned in China, including Hong Kong and Macau, because he was a meme used to mock Chinese President Xi Jingping. Like, frankly, I don't even know what to say about this, you literally banned Winnie the Pooh from your countries media for a meme, that would be like Donald Trump banning Hello Kitty because people kept comparing him to Badtz-Maru, or if Justin Trudeau banned Doonesbury because it was written by Garry Trudeau. Seriously, this might be the stupidest ban on this entire list.


To reiterate, the point of this blog was predominately for educational purposes, as when we talk about film history, we tend to overlook minor reactions to the films. Also, I want to make the statement that this is not an indictment on any of the countries mentioned or their people, bans start at positions of power, bigotry of any kind will not be tolerated here.

Throughout this list, we've seen some films banned for stupid reasons, and some films banned and censored for less than stupid reasons. If I had to pick the stupidest bans, I think it would be The Bahamas banning Demon Slayer, China banning Winnie the Pooh, and Israel temporarily banning Shrek 2. Of course, there are a few dubious claims on here as well, I should do the proper journalism thing and just cut them, but I wanted to keep them up here because, first of all, if these bans are legitimate, they should be known about, and second, if these bans aren't legitimate, then it's a good lesson on being able to verify your sources, if I found an entry on this list to be dubious, I did mark it as such, but keep in mind, I am human, I make mistakes, so something may have slipped through the cracks.

This blog took a lot out of me.

Thursday, November 7, 2024

What is the Case with 2024's Animated Line-up?

There has been something really nagging at me as of late, and if you've read some of my previous First Impressions posts this year, you'd know what it is. The animated line-up of 2024 has been, in my opinion anyway, severely mediocre at best... at least for the first half or so of the year. Something about the releases has just made me question, "Am I becoming a jaded snob?", like there really is nothing I can get really upset about with movies like Saving Bikini Bottom or The Garfield Movie, I haven't really watched anything that I felt was an insult to animation, to be fair that notion is a bit of hyperbole, but you get the idea right? To me, the majority of the "Bad" animated films this year have been more on the "Mediocre" side of bad, which wouldn't be an issue, except that until recently, similar could be said about the good movies too. Ultraman: Rising and Thelma the Unicorn are not bad movies in and of themselves, but are they really that good?

I think I know what the ultimate problem is, 2022 absolutely spoiled me. There was just something magical about that year, the good movies were really good, and even the bad movies were interesting to talk about. Off the top of my head, 2022 was just filled with releases like Guillermo del Toro's Pinocchio, The Bad Guys, The Sea Beast, Apollo 10½, Wendell & Wild, and honestly I'll even throw a bone to stuff like Chip 'n Dale: Rescue Rangers, Paws of Fury, even Luck. 2022 was not a dull or empty year for animation fans, but why? Well, I think it's partly for two main reasons, firstly, this was 2022. In 2020, there was a global pandemic that basically shut everything down, and in that time, people got to do something they almost never did in this hustle and bustle work culture we've created, they got to relax for a couple days. Being a creative type, I know just how good the power of relaxing can be for your creativity, so finally getting that chance to properly relax must have been so relieving to a lot of these writers and directors, so throughout 2020 and 2021 they got to work and polish up these ideas of theirs and then voila, 2022 came around.

I think the other big thing to keep in mind is, this is the 2020s. I write for a living, I'm really good at this! Okay, so the 2010s were a big game changing decade for animation, there was a new movie studio coming in that was gonna rival Disney and DreamWorks, Cartoon Network released two major cartoons that changed the landscape, Adventure Time and Regular Show, there was this itty bitty minor show that completely blew up called Friendship is Magic, and through the 2010s it was very clear that the animation landscape was changing. Shows like Steven Universe, Gravity Falls, The Amazing World of Gumball, Over the Garden Wall, Sonic Boom, Teen Titans Go!, Rick and Morty, BoJack Horseman, Bob's Burgers, Dan Vs., OK K.O.!, Ultimate Spider-Man, DuckTales, this was a new era of animation, and it began with the new decade. On top of that, internet animation was becoming bigger, streaming was becoming bigger, and there was this little movie that released at towards tail-end of the decade, a movie that would become one of the most influential pieces of animation of all time; Spider-Man: Into the Spider-Verse. So it would make absolute sense that the influence of the animation from the 2010s would seep into the projects of the 2020s.

The 2020s has the potential to be an amazing decade for animation, and as of now we're still pretty early in the decade so it still does, so... why aren't we reaching that potential? I think a lot of people will make the same arguments, "We're gonna get peaks and valleys", "It takes time to make a movie", "Not every year is gonna be golden", and I understand those points, I do, but they explain nothing. Yes, it does take plenty of time to make an animated movie, but as we have learned with The Thief and the Cobbler, time does not make a good movie automatically, so what is ultimately the reason? Why aren't films like Thelma the Unicorn or Orion and the Dark really reaching those heights? Again, it is easy for me to say "2022 was a big year and it gave me a lot of expectations", but I think there is a little bit more to it than that.

There has been a massive problem that goes beyond animation. When Technology becomes better, more possibilities are open, meaning more trends are started, the problem is that it is easy in the moment to call something a "Trend Setter", something that is wholly different and unique, but art trends and business trends are not the same thing, when something like Into the Spider-Verse comes out, artists see it as something grand, the way the stylization brings the characters and world to life, thus breathing new life into the story. Businessmen however, they tend to view it differently, they see that this popular character got a movie that is making big bucks and getting a lot of attention, so they want to see how far this trend will go, why do you think The Minecraft Movie is live action? are we really shocked they decided to do that after all the attention that the Sonic the Hedgehog movie got?

Simply put, I believe we're in something of a transitionary period, 2022 was kind of an outlier of perfect, and not so perfect, ideas that were being thought at the perfect time, looking back, I should not have been surprised that the best movies were coming from Netflix of all places. I think the big problem is that nobody is quite sure where exactly to go from here, the world of stylized animation is a great place to explore, but it might be emptier than we'd like it to be. I remember watching Puss in Boots: The Last Wish, and noting that the action scenes were definitely influenced by the stylized look of movies like Spider-Verse or The Bad Guys, but I wouldn't say that Puss in Boots is a heavily stylized movie, it looks like any other DreamWorks production. I do think we'll be seeing a lot more movies with stylized CG animation in the future, but I think a lot more of them will be Puss in Boots instead of Spider-Verse, and it's because we're at a point where the artists have to figure out the "how" of it, and that is always the difficult part.

To be absolutely fair, Transformers One, The Wild Robot and Piece by Piece, that Lego Pharrell Williams documentary, have been pretty good, so I think we are getting back on track. We are seeing the influence of the 2010s and of 2022 starting to really take form. Piece by Piece, a documentary told via Lego animation is a unique idea, we don't see many animated documentaries out there. The Wild Robot was a stylized movie, and Transformers One, well it was just really good, and that's great too. I'm really hoping that 2024 is the last really dry spell of animated features, I hope 2025 begins to really shape a new era of animation in theatres. We can argue about whether the 2020s have been a good decade for animation, but I hope it will be as interesting as the 2010s.