Tuesday, March 31, 2020

Bambi (1942) - I uhh... I don't think I'll be making friends with this one


You know, when I talk about a well loved movie with a differing tone, I usually try to be a bit lenient because, I know that these movies do strike a chord with people and not just will strike a chord. I know that movies like this, Coraline and Charlotte's Web are beloved for good reason and me being the contrarian won't change anything. The thing is, on some level I understand why a movie like Coraline is loved by so many people, even if I personally don't like it, I get the appeal. A film like Coraline is a high quality movie with a few personal gripes that I can't get passed. A film like Bambi is a film where I don't really understand the appeal.

Since it is Spring by the time of this reviews posting, I decided to take a look at another Disney movie, as Spring usually makes me think of Disney movies, and let's just say that, I had a feeling that Bambi would make for an interesting review.

Bambi is, at it's core, a slice of life film. We follow Bambi from childhood to adulthood and see as he tries out new experiences and how he deals with common dangers. Unlike a movie like Spirit: Stallion of the Cimarron, we aren't looking at one major part of the life of our lead, rather a couple major moments, with smaller moments mixed in. Things like Bambi meeting a new Doe, meeting new friends, his first experience with hunters, the loss of his mother, fighting for dominance you get the idea. Now, by this point a slice of life story is nothing new, we've seen this genre tackled in TV shows like Hey, Arnold! in movies like Clerks and in comics like Erma or Calvin and Hobbes, while yes these did focus on larger plots, at their cores, they, and Bambi, are all basically dealing with major events in these characters lives, well, except for Calvin and Hobbes which is more a look at childhood as a whole.

Now, I have no problems with Slice of Life as a genre, and I will say that as slice of life movies go I do think Bambi's plot is pretty solid, for the most part. I can't be too hard on the time skip because, well, there is only so much life you can show in just over an hour, but there is one pretty notorious bit of time skip. If you are familiar with the movie, you know the scene I'm talking about, and I don't really want to spoil it for anyone who doesn't know the movie, but for those of you who don't know, there is a very emotional scene that takes place in the winter, and when it fades to spring it's all bright colours and cheerful singing. The tonal whiplash is so insane that it legitimately ruins what could have been an amazing scene.

Speaking of which, I think it's time to rip the bandage off, I think this movie is boring. Unlike FernGully, and another movie with a review coming up *Cough revealed on my Twitter Cough*, this isn't a movie that is full of filler. Contrary, I think making a movie like this a slice of life is a perfect way to excuse scenes that go nowhere, as... well technically that is life, it does have its moments that don't seem to leave an impression, or even go anywhere. The problem is that we still have to identify with the character in this movie in some way, and, honestly there are many other child characters that are more interesting and relatable than Bambi is. Take for example, one of my favourite child characters, Calvin. Like I said before, Calvin and Hobbes is mostly about exploring childhood, and I'm fairly certain you also had a few experiences in life similar to Calvin did, heck I personally remember having a dream similar to Calvin where I thought I was getting up and doing my daily routine, only to find that I was still in bed.

Of course, it is worth remembering that Calvin does have an actual character and Bambi doesn't really. The main trapping of the slice of life genre is that the leads are usually blank slates for us to project our feelings and experiences on. On paper this is a really good idea, it means that everyone's experience watching the movie will be different, some children will remember what it was like to slip and fall on ice while skating, and some kids will not. The problem is that some kids will not, and I think that is where the idea falls in execution. Sure, some kids, maybe a lot of kids, will remember slipping and sliding on the ice, but what about the kids that never went skating? What about the kids that hated skating because they kept slipping and falling on the ice? What about the kids that hurt themselves slipping and falling on this ice? Yes, I realize this movie was made in the 1940s when that stuff was not really a concern. I dunno, maybe I'm just looking to deep into that, and I do get that I did use a bit of a cherry picked example but, it does kind of show you why blank slate slice of life characters don't work. This is why many people would prefer to watch something like As Told By Ginger instead of watching Doug.

I will say though that there are points when the plot gets good, and that is when the stakes are raised. I really do love how they handled the hunters in this movie. You never see them, but the tension does escalate each time they appear. The first time, we don't see anything, we hear a gunshot, but see no evidence that they shot anything. The second time, we don't see it happening, but we hear that one character did get shot, and an important character too. In the final time, we actually see a dead body, and see gun shots just barely miss hitting someone. These moments work because, well first off, we all know the feeling of being afraid, especially of something that is out of our control. These scenes also work because we know the stakes, we know a character that is important can leave at any point, and when we see that bird fall out of the sky, we are aware of just how high the stakes are, not to mention the whole forest fire does get pretty tense as well.

While I'm being complimentary, I really do like the art style here. While Disney didn't invent the Multi-plane camera, they certainly knew how to utilize it, and Bambi is one of the best in that regard. On top of that the forest is just a nice place to look at, and the colour palette is a varied one too with blues and whites in the winter to match the cold and unforgiving season and a lot of warm colours in autumn. While I don't think Bambi is one of the best looking Disney films, I still think it looks incredible. Of course the animation itself is classic Disney theatrical animation so it is high quality with little to no errors.

If I had to sum up Bambi in one word it would be "Watchable", and that really is because it didn't leave much of an impact on me. That being said, it does have it's good moments, and unlike other movies I reviewed that I didn't like, there is something I can admire here. That being said, there are better Slice of Life stories out there. Should I look at this from the time it was made? No, I think that is an argument that should only be used for stuff that was influential at one point, and I can't really see Bambi as being hugely influential to the medium. Maybe it inspired some animators, but it isn't the same as pioneering an entirely different animation style. Maybe I'm missing something in my history, so feel free to let me know how influential Bambi actually was.

That being said, it's a movie that lost my interest more frequently than it gained it, so I can't really recommend it personally. If you're a big Disney fan and want to say you've seen them all, or you genuinely think it's a good movie, there are genuinely worse things out there, and it isn't like this movie is terrible, it's just not very interesting to me. So, I can safely say that I do slightly recommend it, only slightly.


Saturday, March 7, 2020

First Impressions: Onward (2020) !This blog contains spoilers!


When I was in high school, I had this idea for a modern day fantasy setting. There would still be wizards and warriors, but there would also be vehicles, internet, cinema and everything else that makes these times what they are. I bring this up because, Onward kind of tapped into that idea, and honestly, I'd love to see it done more.

Don't get me wrong, Onward is a great movie, but I would love to see these settings done a bit more, maybe as like a Table-Top or a Video Game or, even an episodic series. If modern day wizards and warrior fantasy settings interest, check this movie out, you may get some ideas.

That being said, I also recommend this movie if you want a good movie to take your children to, or check out on your own, I don't judge. It's funny because, Onward by most accounts is one of those "Really nothing special" movies. I talked about this a bit on my Letterboxd with Sonic the Hedgehog, but for the sake of clarity, these are the movies that, by all means aren't groundbreaking, aren't special, aren't new, and you've probably seen them before. I myself have seen a lot of these kinds of movies, Gods of Egypt, Arctic Dogs, Priest, movies that are so un-special that you kind of forget you even saw them in the first place.

That being said, it does make a lot of sense that there would be a lot of these movies. You can only tell so many stories before they start to bleed together. You can only use a trope so much before people can predict it, so... what do we do when we've exhausted those stories and tropes? With any medium, this is the question you have to figure out, but this isn't just any medium, this is Film, cinema, a medium that dates back to the 1800s. That is almost two-hundred years ago, and if anything the medium has become even stronger. So, how do these kind of movies still be good if they aren't special?

Onward does what every great Disney movie does, it makes a connection. There sometimes is a part of us that feels like Cinderella, working our butts off waiting for that magical moment to change our lives forever. Many of us feel like Woody, afraid of being replaced and willing to do what it takes to stay on top. Some of us may even feel like Flynn from TRON, out of our element but still pushing forward because that is what you can do. Sometimes we feel like Ian in this movie, like we can't do anything but that there is a goal worth trying for. Personally, I felt more like Barley in this movie...

This is going to get very real...



Last year, my Grandma was in the hospital, when I had the chance to see her, it was one of the most uncomfortable experiences I have ever seen. I wasn't there when she died, and I still feel really bad that I didn't see her earlier. When Barley is telling Ian about the time he went to see their father, he mentions how scared he was about the scenario, and it really did hit close to home for me. Honestly, I am incredibly thankful that I had a friend come along with me.


Disney movies often make a connection with us because well, it is as Walt Disney himself has said, "Adults are just children grown up". As a kid, we see Cinderella as a princess who needs to be saved from her wicked step-mother. As adults, we see what she has to go through with different eyes and a new understanding. We have that enjoyment as a kid, but as an adult we have a new connection. Onward connected to me, and while it was not a way I was happy with, honestly the fact that it went there at all is admirable. Wonder Park touched on this, but Onward went deeper into it.

Of course, the rest of the movie is fine on its own. It is a bit of a predictable plot, if you know storytelling 101, you can basically see the beats they are going to hit. That being said, the film is still pretty good. Even taking out my personal connection, the humour is great, the animation is excellent, and the characters are wonderful. While this isn't a movie that is going to break ground with a lot of its story or characters, I think it is an excellent addition to the Disney library.

I consider this up there with The Greatest Showman, Sonic the Hedgehog or Klaus, not groundbreaking in many areas, but still excellent in so many others.